Devouring This Year's Holiday Movies: The Good, The Bad and The So-Bad-It's-Good.

It is the time of year to lounge on the sofa and devour a tin of mince pies in front of a terrific flick, a poor film, or one that’s so bad it’s good.

Once again, a selection of fresh holiday movies aims to become part of our holiday traditions—perhaps even joining the ranks alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (don’t start).

Therefore, in a noble effort to sort the crackers from the turkeys, and to embrace the festive feeling, I marathoned as many new festive movies as possible in a single day.

First Up: The Jonas Brothers' Holiday Flick

Kicking off, ideally, on a good foot. This film is the exclusive 2025 movie on a well-known aggregator's list of the best 100 Christmas movies of all time.

The popular band are stranded in the UK after concluding their international trek and must get home for Christmas. Their attempts are thwarted by an malevolent Father Christmas, who sings to state they won’t get home until they “rediscover their brotherly magic.”

The back-and-forth between the squabbling siblings is entertaining even for the non-fan, while followers will undoubtedly pick up on lots of easter eggs as they endeavor to get back using every mode of travel possible.

It’s private planes, trains and automobiles.

It’s not an all-time classic, but is great for fans and a positive start to the day.

Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who will have to sit through it.

Next: A Star in Panto

A-list actor Kiefer Sutherland stars as a Hollywood star tricked into a traditional British stage show.

“A panto-what?” asks Sutherland’s “temperamental” and older lead Brad Mack, who has hit a rough patch and whose representative has misled him into thinking he’s appearing in prestigious English theatre.

His Aladdin fellow actors inform him he’s playing Buttons. “Absolutely not,” he insists angrily. It's easy to predict their retort. That is, unless you’re unfamiliar with traditional British theatre traditions.

There are some very funny lines, some touching sub-plots, and the supporting actors is excellent, too.

It’s the sort of feature that would be a bit naff at any other time of year, but is a lot of fun at Christmas.

Holiday verdict: 🎄🎄🎄🎄

Mid-Morning: Christmas Karma

An actor pops up at the beginning of this film, too, delivering a signature line for the next movie straight. Might this become a budding festive ritual?

This time, he’s a musical taxi operator who picks up Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The well-known tale progresses as the stingy Mr Sood is visited by the spirits of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This cultural adaptation is at least distinct from all the others, but sadly he’s not very charismatic and Nayyar’s portrayal is lifeless—a significant issue when he’s so the main character.

Holiday verdict: 🎄🎄

12.04pm - Stuffed

There’s time for a network's original festive film—which stars Guz Khan as a endearingly grumpy man who “isn't big on Christmas.”

But after he is awarded an £8,000 Christmas bonus at work, his wife (starring Morgana Robinson) talks him into splurging the cash on a family trip to Lapland.

There’s just one problem—he finds out there was an mistake with his bonus, which should have been £800, and he has to figure out how to reimburse the difference.

Enjoyable but forgettable.

Christmas tree rating: 🎄🎄

1.12pm - Champagne Problems

This is one of those holiday movies where the tree, fairy lights and snow are in the backdrop—Christmas is the scene of the film rather than its raison d’etre—but it feels warm and holiday-like all the same.

Ambitious executive Sydney (played by Minka Kelly) is assigned to a country estate to do a deal for a sparkling wine company. During her travels, she meets a guy in a literary haven who offers to show her a festive Paris.

A commentator recently stated this is the best new Christmas film of the past few years. That’s a bit of a stretch, but it is a holiday love story with a hint of sophistication and gives the necessary warm and fuzzy feels.

The scene with a extended debate about Die Hard is particularly strong too.

Holiday verdict: 🎄🎄🎄

3.29pm - Finding Father Christmas

Sixteen-year-old Chris, played by Lenny Rush, holds onto his belief in Father Christmas, in spite of the efforts of his dad (played by James Buckley) to tell him the reality.

The answer is somewhere, and Chris ventures forth to find it with the guidance of a group of well-known figures.

It’s understated but charming, and good viewing while anticipating Santa to visit.

Festive score: 🎄🎄🎄

A Star-Studded Family Drama

Michelle Pfeiffer is the matriarch of a dysfunctional American family who gather for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer starts by mentioning classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the real champions of the holidays—moms.”

So that’s the concept, but in reality it’s really a jumble of those inspirations, at least until Pfeiffer’s character eventually takes center stage.

Festive score: 🎄🎄

Formulaic Fun

The day’s taken a dip, but thankfully here’s a new offering in the saturated market of formulaic, schmaltzy, badly acted—and utterly watchable—festive fodder.

It’s a tale as old as time: An American woman travels to a picturesque cold country and ends up stumbling across romance.

In this case, Caprice Bourret plays a publisher

Sharon May
Sharon May

Jonathan is a business consultant with over 15 years of experience in corporate services and workspace solutions.